二十世纪中国画教育综议

Comprehensive discussion on Chinese painting teaching

从20世纪初,中国建立美术学校起,传统美术就受到西方美术的巨大冲击。西法与中法的对立首先集中表现在写生和临摹学习方式的应用上,继而产生了以徐悲鸿为代表的写生派"素描是一切造型艺术的基础"和国粹派"画中国画学素描有害无益"的观点之争,直到20世纪末,这种争论还在继续。那么21世纪,中国画教学路在何方?已实实在在摆在我们面前。

The traditional Chinese painting has been attacking by western painting greathy since the painting schools are estabhshed in China in the 20th century.The conflicts between them are mainly manifested by the usage of the studying styles of skretching and painting at first.Then there comes the chspate about teaching points between the skretch school,which is represented by Xu Beihong and its point 'Sketch is the basis of all modelling arts,and the quintessence school,by its points 'To draw Chinese painting,there is no good but harm to learn sketching'. the late 20th century,this dispute continues.so which is the way of the Chinese painting teaching in the 20th century?As a matter of fact,it has been showed before us.