中国诗行美的形态

On the Configuration of Chinese Poetic Line's Beauty

人类的审美意识,由直观走向抽象,由低级走向高级,它要在时间和空间的纯形式上,刻下自己的烙印。在诗歌中,审美意识用节奏对时间之流刻下自己的尺度,用韵律对空间弥漫自己的芳香。诗行形态是一种美的时空合一体。在论述中国诗行的审美特质时,应该以发达的成熟形态为研究对象,而不能面对一部跨度极大的诗歌发展史。唐诗中的绝句,则是典型的分析对象。中国诗行美的形态,包括三个方面:一是整齐美,二是抑扬美,三是回环美。中国诗行的美,是中国诗人对韵律节奏本体论的苦苦追求。它的哲学基础,根植于中国诗性智慧的人学本体论追求。

The aesthetic consciousness of human being develops from intuitive to abstract, and from simple to sophisticated, leaving its mark on the pure form of time and space. In poetry, aesthetic consciousness uses rhythm to mark the stream of time and cadence to fill space with fragrance. The configuration of poetry has a beautiful combination of time and space. When analyzing the beauty of Chinese poetry, we should take its most advanced configuration as the research object, not the whole history of the poetry. Accordingly, Jue Ju (a type of four-line rhymed poetry) in Tang Dynasty, is a typical case for analysis. The configuration of Chinese poetry's beauty includes three aspects: tidiness; cadence and reiteration. Chinese poets look such beauty as their highest goal. Its philosophical foundation originates from the human ontology of Chinese poetry wisdom.