摘要
海德格尔对艺术的思考出自他对存在和真理问题的关注,这种非同一般的分析视角和充分沉思使得他的艺术理论不仅深刻独到,而且还从存在论意义上与拯救技术文明危机发生了深刻关联。海德格尔认为,技术本身乃至道德伦理皆不能使我们摆脱技术文明种种危机,但艺术作品的本质特征"让大地成为大地",在把事物带入敞开状态的同时,又使其保持纯然物特性,回复到自身,因而与技术从本体论意义上重新构造事物,把事物变成"持存物"绝然不同,艺术对事物具有保护的作用,可以制约技术对自然的过度开采和利用,在拯救大地和人类未来方面担当起一定重任。
Martin Heidegger's consideration on art was generated from his attention to the question of existence and truth, his unusual visual angle of analysis and plenitudinous pondering not only showed his unique ingenuity on art theory, but also associated the salvationcrisis of technology civilization with the ontology acceptation.According to Heidegger, technology itself and even moral ethis could not extricate us from the crisis of technology civilization, but the innate characteristic of artistic works was 'to let the earth be the earth'. While taking things in an open state, artistic works were also able to keep the property of pure right thing, things came back to themselves. Thus, quite different with technology, art could protect things and exercise its restraint upon the excessive exploitation and utilization of natural resources, hence played an important role in the saving of the future earth and human being.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2004年第5期39-42,共4页
Journal of Social Science of Hunan Normal University