摘要
对于边将武功的描绘,唐人往往以骑射功夫为代表,并且以此鼓动起报国进取的热烈情怀。唐人还以射箭练武场面,歌咏盛世带来的自信心。唐人描绘歌咏射箭,不再局限于一般性的武力层面,而成为一种特定精神取向和豪侠传统,较直接地与持发者内在精神蕴含联系起来,乃至成为一种内在精神追求和神勇气质的外现。
About the drawing of border general gest,the Tang people always take the riding and shooting as representation.And meanwhile they will be moved to hot affection of dedicating oneself to the motherland and aggressive.The Tang people also sing the self-confidence which comes from peace and happy via the scene drawing of the shooting and training.The singing of shooting in the Tand stresses not on ordinary torce but on special spirits and the knight ccndition,and meanwhile the spirit contacts with the interor spirit meaning of the shooting hero.And sometimes this will become outside behavior of the interor spirit pursuing and hero temperament.
出处
《渤海大学学报(哲学社会科学版)》
2004年第5期27-30,共4页
Journal of Bohai University:Philosophy & Social Science Edition