摘要
书法在明代前期与中后期呈现不同的发展态势,前期书风理性唯美,书家艺术个性不彰;后期书风雄强浪漫,书家各逞其能张扬自我。本文借鉴相关文化理论启示,从文化视角探讨明代书法演化的内在成因。
The calligraphy in the early, mid and late period of Ming Dynasty emerges to have different development trends,of which the early period the calligraphy appears to be rational and aesthetic with weak calligrapher's individualism, while in the late period its style appears to be powerful and romantic with various strong individualism of the calligraphers. Referring to the relevant cultural theory inspiration, this article discusses the intrinsic formation cause of the calligraphy evolution of Ming Dynasty from the cultural perspective.
出处
《闽江学院学报》
2004年第4期112-115,共4页
Journal of Minjiang University
关键词
唯美
雄强
同化
个性
aesthetic
powerful
assimilation
individualism