走出欲望对象——以女性主义的视角观察当代的绘画作品

Transcend the Object of Desire--To Study Contemporary Paintings with the View of Feminism

女性主义在20世纪成为一场巨大的社会运动,并成为一种重要的艺术创作和艺术批评方式。用女性主义视角来观察、分析、批评我国的许多绘画作品时,可以发现:一方面,有许多作品表达了对男权话语的批判,展示了女性的被支配地位和缺乏主体性的处境,具有强烈的批判意识;另一方面,随着社会的变化和艺术自身的发展,许多表明女性立场、以女性为主体的作品出现。这些作品中的女性不仅成为形式上的中心,更成为话语体系的重要角色,女性正试图回归主体性。只有当女性话语真正崛起时,才能实现真正的话语平等。

Feminism became a great social movement in the 20th century, and an important way of artistic creation and criticism as well. When we study, analyze, and criticize many paintings in our country with the view of feminism, we can find that on one hand, many among them have expressed the criticism on man-centered language, and showed women's position of being dominated and their place of lacking subject-consciousness, and thus the paintings are of strong critical idea; on the other hand, with social changes and artistic development, many works expressing women's standpoint and centering on women have come into being. The women in the works have become not only the centers of form, but also the important roles of language system. Women are trying to return to the position of subject. Only when women's language really develop, can we realize the equality in terms of language. Key words: feminism; paintings centering on women; women-centered language; man-centered language