中国传统音乐中的“宫调”

“Gongdiao” in Traditional Chinese Music

我国古代的“宫调”理论 ,其中有不合理部分 ,应对“旋宫”和“犯调”进行定义并按不同情况加以分类 ,并明确“同宫系中的调式转换”等概念。

There is much room for improvement in “ gongdiao ” theory of ancient Chinese music. The paper advocates to classify and define “ xuangong ” (changes of key) and “ fandiao ” (changes of mode), and puts forward concepts such as “changes of mode in the same gong note”.