摘要
陆俨少是以山水画见长的文人画家 ,其博大精深的山水世界瞩目 ,而其梅花、竹石、蔬果、书法、文章及人物画 ,亦是色色精能。人物画在其艺术道路中虽未及山水画的成就 ,但也以其独具的涵养为发展中的人物画添加了醒目的一笔 ,正如他的用笔或“如切如杀” ,或“缜密娟秀” ,凸显超人的笔墨功力和天赋学养。陆俨少投身人物画学习、创作的道路即临习古代名迹 ,大量翻画刊行的摄影图片 ,以创作拉动技法的升级 ,神致情邃的点景人物来完成其由山水画至人物画的大跨度绘画历程。
Lu Yanshao is a literati painter good at landscape painting. His profound themes attract extensive attention, and he also excels in painting plum blossom, bamboo and stone, vegetables and fruits, calligraphy, writing and figure painting. His figure painting is eye catching though it is not so good as his landscape painting, reflecting his remarkable craftsmanship. The paper describes his career from landscape painting to figure painting, which comes chronologically as copying famous classical works, repainting a great number of published photographs, improving skills by plenty of creations and painting lifelike figures.
出处
《浙江艺术职业学院学报》
2004年第1期87-93,共7页
Journal of Zhejiang Vocational Academy of Art