“窥意象而运斤”——《文心雕龙》意象说微探

Wen-Hsin Tiao-Lung's Image Theory

刘勰的《文心雕龙》处于中国古代意象说到意境说的转变过渡时期。《文心雕龙》意想说是中国古代第一个系统的理论学说。在《文心雕龙》中“意象”首次被运用于文艺美学领域,《文心雕龙》围绕着“意象”展开了一系列文艺美学上的基本理论问题,提出了大量相关的学术范畴,形成了自身的体系,如何营构融合审美意象,并完美地传达审美意象,是《文心雕龙》意象说的中心内容。

Liu Hsieh's Wen-Hsin Tiao-Lung was written in the transitional period of the ancient Chinese image theory to 'meaning of the area to reach'. Wen-Hsin Tiao-Lung's Image Theory was the first Chinese ancient systematic theory. Image theory was initially adopted in the fields of literature & art aesthetics in Wen-Hsin Tiao-Lung. Around the image theory , Wen-Hsin Tiao-Lung revealed a series of basic theories on art & literature aesthetics and put forward large quantities of relative academic categories to form its own system. The key content of the image theory in Wen-Hsin Tiao-Lung was how to build and merge aesthetic image and convert it perfectly.