摘要
在苏轼丰富的书画理论思想中,"寓意而不留意"的书画思想尤为引人注目。苏轼认为对于书画只能"寓意"而非"留意"。因为"寓意"可以寄托情思,其乐无穷,真正发挥书画的"悦人"功用;而"留意"就会爱不释手,执著沉迷,给主体带来消极的影响。故而对于书画应该采取一种"悦"而不"执"的欣赏态度。这种思维方式,蕴涵着禅门"于相而离相"、"住而不住"的精神。
In Su Shi's abundant thoughts of painting and calligraphy,'place interest on painting and calligraphy but not be indulged in'is most notable. Su Shi believes that people can be interested in painting and calligraphy,but should not be punctilious to it. Because painting and calligraphy can give people great fun when people place interest on it;but will do harm to people when people are indulged in it.Thus people should try to get fun from painting and calligraphy instead of being fettered,and this kind of attitude embodies the Zenish spirits.
出处
《孝感学院学报》
2004年第5期27-30,共4页
JOURNAL OF XIAOGAN UNIVERSITY
关键词
苏轼
寓意
留意
书画
禅宗
Su Shi
place interest on (painting and calligraphy)
be indulged in (painting and calligraphy)
painting and calligraphy
Zen