摘要
东晋是玄言诗流行的时期。玄言诗因以枯燥的说理代替形象的塑造,辞雕旨虚而日益遭到遗弃。东晋诗人将山水诗引入玄言诗中,清新细致的景物描写和玄远虚灵的意境使诗歌获得了新的生命力。随着山水描写成分的逐渐增多与玄言成分逐渐减少,山水诗最终取得了独立的艺术地位。
Metaphysical poems were very popular in the Eastern Jin Dynasty. However, they were gradually deserted because they employed to much insipid. Reasoning instead of the creation of image, which led to the lack of poetic flavor of metaphysical poems, the metaphysical poems gained renewed spirit in the Eastern Jin Dynasty due to their fresh and detailed description. Of scenery and their profound and lasting and visionary prospects, which were achieved by the poets' description of scenery with hills and waters. With the increase of the description of hills and waters and the decrease if the metaphysical components, scenic poems finally won an independent.
出处
《南阳师范学院学报》
CAS
2004年第10期63-65,共3页
Journal of Nanyang Normal University
关键词
意境
审美心态
宇宙意识
prospect
aesthetic consciousness
consciousness of universe concerning scenery