另一种形式的“从概念出发”——“红色经典”改编剧在艺术创作观念上的偏离与迷失

Another Form from the Consideration of Notion -the artistic creation notional deviation of "the Red Classic"revised teleplav

目前,将“红色经典”改编为同名电视剧的潮流引起了社会各界的广泛关注和批评。文章首先概括了此类批评的主要特点和主要内容,并指出应抓住问题的主要方面进行深入的、辩证的学理批评。对此,文章说明了“从概念出发”有其理论和实践上的不同表现形式,进而指出“红色经典”改编剧的偏离与迷失本质上是和它在艺术创作观念上的“从概念出发”密切相关的,而且,这种偏离与迷失主要出现在“改什么和如何改”的环节,在这个关键环节中,“红色经典”改编剧出现了种种形式的概念化倾向,并由此而带来了一系列的症状和不良后果。不言而喻,“红色经典”改编剧避免这些偏离就是它走出迷失的途径。

The trend which 'the Red Classic' are revised into teleplay has brought to the attention of the literal at the present time. This article outlines the major features and the contents of this kind of critics and points out that we should comment on them with the dialectical attitude. In view of the fact, this article explains that there are different forms in theory and in practice and points out that the deviation of the 'the Red Classic Revised Teleplay' has a close relationship with the artistic creation from the consideration of notion. This deviation exists in the scope of 'what to revise' and 'how to revise', which has arisen the nationalized trend and caused a series of consequences. So it is evident that avoiding this deviation is on the right way to the perplex.