摘要
马雅可夫斯基是一位富于独创精神的戏剧家。他的剧作因其对官僚主义、市侩习气和社会积习批判性的讽刺而为文学批评中的庸俗社会学所不容。当时的文艺批评掌握了一整套的词汇和分类法 ,这些东西就成了某些权威机关和惩戒机关的证据和理由。马雅可夫斯基也不能置身度外。讽刺喜剧升华了马雅可夫斯基的艺术理想 ,但却使他那协调革命理想与现实的期望破灭。
Maykovski is a creative dramatist. His dramas were not accepted by vulgar sociology in literary critism for his critical satire on bureaucracy, philistinism and old habits in society. At that time, the literary criticism contained a whole set of lexicon and classifications, which became the evidence and reasons for some authoritative and penalty organizations. Maykovski could not stay aloof from all these. His satirical comedy heightened his artistic ideals, but it also shattered his expectation of harmonizing his revolutionnary ideals and the reality.
出处
《福建外语》
2001年第4期63-66,共4页
Foreign Languages In Fujian
