摘要
“印象的批评”是旨在强化批评家个性主体意识和主观情感评价功能、以主观的和印象的审美眼光评价文学的一种泛化批评形态。中国现代泛印象主义文学批评在20年代和30年代中国现代文化语境中成为文坛上的一道独特风景线。他们所倡导的文学批评的自由与宽容、创造与超越的理论品格,对20世纪中国现代文学中的历史主义和政治论、道德论文艺批评,具有本体论意义上的借鉴意义和认识价值。
“Impressional Criticism” is a pan-critical shape to strengthen commenters' individuality and sensibility, who can use subjective and impressional aesthetic insight to evaluate literature. Chinese modern pan-impressionistic literary criticism became a special scenery of literary world in 1920s-1930s' Chinese modern cultural circumstances. They proposed freedom, allowance, creation, detached attitude and etc. All the literary critical flows those propose historical or political or moral standards can draw lessons from the “Pan impressionistic Literary Criticism”.
出处
《齐鲁学刊》
CSSCI
北大核心
2001年第2期85-89,共5页
Qilu Journal
关键词
泛印象主义
文学批评
文化品格
自由
宽容
Pan-impressionism
Literary Criticism
Cultural Character
Freedom
Allowance