摘要
龙的纹样在中国传统服饰中有着特殊的意义。通过龙———这一最具有代表性的传统纹样在中国服装史上的具体运用和体现 ,我们可以看到龙的观念在特定历史环境中产生、演变的过程和不同时期的造型特征 ,并总结其性质和美学的意义 ,旨在从传统造型艺术中找到启示 ,为现代设计所运用。
Dragon is the most representative design used in traditional Chinese garment history. This thesis analyses the emergence and development of the concept of dragon in specific historical environment, and presents the characteristics of the dragon patterns at different period of times, thus summarizes its nature and aesthetic meanings. The purpose is to draw inspirations from the traditional pattern art and use them in modern design.
出处
《贵州大学学报(艺术版)》
2004年第3期48-51,共4页
Journal of Guizhou University Art Edition
关键词
传统服饰
龙纹
观念
造型
美学启示
traditional garment
dragon pattern
idea
modeling
aesthetic apocalypse