李煜及李清照后期词的构思方式及其创作渊源

Study on the Conceptive Fashion and the Origin of the Poems That LI Yu and LI Qing-zhao Invented in Their Late Stage

李煜和李清照后期词的感情基调极为近似,于是不少读者由此推及并认为他们的创作风格及艺术特点相一致。事实上并不尽然。李煜词少羁约,故而称得上婉约中的豪放派;李清照则是标准的婉约词人。他们的词都浅平通俗,但给读者的感染力却有通透、郁结之分。从他们后期词的构思角度进行分析,或可说明两者的差异及形成这种差异的根源。

The sensation that LI Yu expressed by his poem in late stage, extremely close to the sensation that LI Qing-zhao expressed by her poem in late stage, and then many readers thought that their creative style and artistic characteristic are similar. This view is not with the facts. In reality, LI Yu's poem is free from restrain and uninhibited, is part of the heroic dispatch in the Gracious School. In contrast, LI Qing-zhao is a normative gracious poetess. The article will analyze the conception fashion of the poem that LI Yu and LI Qing-zhao invented in their late stage, try to illuminate the difference between LI Yu and LI Qing-zhao, and the origin that making this difference.