摘要
画画首先要从形似开始 ,由不似到似 ,再由似到不似 ,如果仅有形似 ,则只图其表 ,因为它没有“印”上艺术家自己的心灵 ,但如果连基本的造型都没有 ,似是而非 ,却鼓吹气韵 ,那不过是自欺欺人。形似与气韵相互依存 ,超越“形似”与没有能力做到“形似”
Drawing, beginning with formal resemblance, undergoes the process from dissimilarity to similarity then to dissimilarity again. If only formal resemblance is achieved, it is just a void appearance without the artist’s own soul carved. However, advocating flavor and tone yet without formal resemblance is just self-deception. Formal resemblance is interdependent on flavor and tone. Beyond formal resemblance is totally different from incapability of formal resemblance.
出处
《安徽师范大学学报(社会科学版)》
2004年第5期617-620,共4页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
想象力
绘画
图像
形似
气韵
imagination
painting
images
formal resemblance
flavor and tone