期刊文献+

宗炳绘画理论来源小议 被引量:2

A Research into the Origin of Zong Bing's Painting Theory
下载PDF
导出
摘要 宗炳绘画理论是道佛相融的思想。自魏晋以来,统一政权瓦解,战争不断,佛教被迅速传播并与 道教互相影响、互相吸收,成为宗炳绘画理论产生的思想根源和社会根源。他的思想在其著作《画山水序》中 得以充分的体现。他的道佛相融思想对后世绘画反理论都产生了深远的影响。 Zong Bing's theory of painting was mentally related with Taoism and Buddhism, which made great influence on the painting and painting theories in latter ages. In Wei and Jin Dynasty when the united regime collapsed and wars broke out here and there, Buddhism spread over quickly and was integrated with Taoism, which became the ideological and social origin of Zong Bing s painting theory, and such thinking were reflected in Foreword of Drawing Mountain and Water.
作者 崔迎春
出处 《阴山学刊》 2003年第6期37-39,共3页 Yinshan Academic Journal
关键词 宗炳 道教 佛教 绘画理论 Zong Bing Taoism Buddhism painting theory
  • 相关文献

同被引文献21

引证文献2

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部