摘要
中国戏曲艺术植根于中国古代深厚的哲学文化背景,逐步形成了以“一”求“多”的形式美创造规 律,既有一定的理论深度,又有丰富的实践内容,并与时俱进,规约着当今的戏曲改革。
Growing in Chinese ancient profound philosophical and cultural field, Chinese traditional opera art progressively forms the aesthetic law of seeking particularity by generality, which has a theoretic depth as well as the rich practical content. Progressing with each passing day, it stipulates an agreement with reform of traditional opera today.
出处
《阴山学刊》
2003年第6期40-42,69,共4页
Yinshan Academic Journal
关键词
中国戏曲
艺术形式
以“一”求“多”
语言体制
表演风格
戏曲改革
Chinese traditional opera
artistic form
seeking particularity by generality
language form
exhibitional style
reform of traditional opera
