梅娘小说创作论

Meiniang's Novel Writing

在20世纪40年代的沦陷区文坛上,梅娘作为一位著名的女作家,以其深蕴孤独的情绪塑造了一批蕴涵着孤独意识并向社会抗争的觉醒女性。这里以梅娘小说的创作文本为基础,分别从浅层的情感孤独和深层的思想孤独两个层面就其笔下的女性形象进行解析,以展示40年代社会女性特有的深沉孤独苦闷和她们与家庭及社会产生的激烈冲突,并试图通过对梅娘的童年经历以及中外文化心理建构、沦陷区特殊社会氛围三方面的剖析揭示梅娘孤独意识形成的社会基因,进而透视其作为关注女性命运的进步作家对知识女性群体命运特有的忧患意识以及独步女性社会心理前沿的思想超前和高瞻远瞩。

In the literary world of the enemy-occupied areas in the 1940s, Meiniang was a famous authoress. Owing to her profound sentiments of loneliness, she depicted a series of women characters with deep sense of loneliness and strong sense of rebelliousness. What is unique about them is that all of them are solitary and they all had irreconcilable conflicts with their families and society. Based on her novels, this paper analyzes her women characters from two different perspectives: the shallow level of her emotional loneliness and the deep level of her spiritual loneliness. It attempts to find the social and historical reasons for her sense of loneliness from her childhood experience, the Chinese and foreign cultural psychology and the special social realities in the enemy-occupied areas. By doing this, it aims to reveal her worries about the fate of Chinese women as a female writer, and her achievements in probing into the psychology of Chinese women.