摘要
本文通过三部分来论述李清照词所展现的女性自我形象 :一、在注重自我形貌美的同时 ,还特别注重自我人格的豪迈、纯洁、高雅。二、在爱情上特别看重双方的平等交流 ,表现出的不是一种对男性的依附 ,而是充满了强烈的女性主体意识。三、对自然景物变化的特殊敏感 ,这种敏感性表现在总是把自己触及到的自然景物同自身的青春和生命体验交织在一起。透过她的作品 ,我们可以看到一个活生生的女人 ,性格温柔、深挚 ,对于美的强烈的依恋和珍惜。这三部分之间相互联系 ,共同展示出的是一个有情感、有才华、有理想 ,既柔婉又刚强的女性自我形象。
This article is to expound Li Qingzhao′s own feminine image in her Ci in three Parts. First, she cares much for the beauty of her looks, she attaches special importance to her pure, elegant, bold and unrestrained personality as well. Second, as regards love, she lays strees on the equal and mutual communication. What she expressed in love is not a dependence on man, but a strong woman perceiver′s awareness. Third, she is especially sensitive to the changes of scenery, which finds its expression in her experience of life and youth mingled with what she fell about the natural scenery. Through her ci poetry, we can see vividly a living woman, gentle, dap and sincere in character, strongly reluctant to part with beauty. The above mentioned three integral parts projects a feminine image full of emotion, brimmed with talent and aspiration, soft, mild yet unyielding in moral quality.
出处
《中国文学研究》
北大核心
2002年第4期45-47,共3页
Research of Chinese Literature
关键词
咏物词
闺情词
自我形象
yongwuci boudoir repinings self-image