摘要
《挪威的森林》中的直子与《上海宝贝》中的天天这两个不同文本中的人物形象,超越时空地表现出了明显的相似性,这使得他们具有了符号的阐释意义,即他们是与物化世界相对立的"精神性存在"的象征;而他们只能以"失语者"形象呈现出来,这是基于20世纪七八十年代的日本和20世纪末中国相类似的文化语境及身处其中的都市"边缘青年"、"新新人类"共通的一种情绪体验;同时,由于作者所持创作观念和表现手法的差异,人物形象的隐喻也不尽相同,这使得两个文本的立意有了高下之别。
The two characters,Zhizi in Norway Forest and Tiantian in Shanghai Baby, demonstrate obvious similarities in despite of different time and space,which qualifies them with symbolized illustration significance,that is they are the spiritual being symbols contrasting to the materialized world.But they can only appear as aphasias, it is based on a similar culture context of Japan in 1970s to 1980s and of China in the end of 20th century and a common emotional experience of the urban frontier youths and new human beings in their period. At the same time, due to the author's different composing concepts and expressional techniques,the metaphors of images are not totally identical,which contributes the differences in speriority of the conception.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2004年第5期91-95,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)