摘要
本文将《山海经》到魏晋的游仙诗创作分为文本形态与仪式形态,通过对其意象结构与表演形式的分析,揭示上古巫文化对游仙诗艺术结构生成的影响,展现了游仙诗由娱神到娱人,从巫术功利性到艺术审美性的浪漫历程。
This paper divides poems about celestials from Shanghaijing to the dynasties of Wei and Jing into two types, one is the textual form and the other ritual form. By means of the image analysis and performing forms, we hope to reveal the influence of ancient witchcraft-culture on the artistic structure of celestial poetry and the romantic process from its entertaining gods function to entertaining man function and from utilitarian witchcraft to artistic aesthetics.
出处
《广州大学学报（社会科学版）》
2004年第9期1-5,共5页
Journal of Guangzhou University:Social Science Edition
基金
2003年国家社会科学基金项目<宗教伦理与中国上古祭歌形态研究>专题论文
项目编号03CZW005。
关键词
游仙诗
文本形态
仪式形态
意象结构
celestial poetry
textual form
ritual form
image structure
