从古代文论的“气感说”看文艺的生命激活

On the Literary Vitality Activation from a View of the Ancient Qi-Gan Concept

"气感说"是中国古代文论的重要学说。它从天人一体、互相感应的角度去看待文艺与宇宙的关系,主张在人与自然界的亲和与感应中去吸取文艺的生命精神。"气感说"是从中华古老的原始思维中生发出来的,具有很深的文化蕴涵,对于中国古代文论的生命精神与创作原则有着直接的影响,在今天也不乏其启迪意义。

The Qi-Gan concept (Air-Stir concept) is an important doctrine in ancient Chinese literary criticism. It observes the relation between literature and universe from the perspective of the heaven and man as one and their mutual stir, advocates absorbing literary vitality from the affinity and stir or man and nature. The concept originates from ancient Chinese idea with profound cultural implication, thus has a direct influence on literary vitality and creation in ancient Chinese literary criticism, and is of enlightening significance at present.