摘要
虚实相生是中国古代美学的一条重要原则 ,它的产生有着深厚的哲学渊源 ,道家与《易》的哲学思想不仅影响了文学创作取向 ,更重要的也为阅读审美提供了依据和启迪。对由虚实相生而形成的意境的审美阅读 ,是在以“神游”为核心统合“澄怀”“目想”“心虑”“妙悟”多种审美心理态势的过程中展开的。这一过程实是由象到道 ,由有 (实 )到无 (虚 )的审美过程。而从哲学角度来看 ,是由日常生活的当下自在走向审美的终极关切的过程。而生命的自我关切正是阅读活动的本质。
An important principle in Chinese ancient aesthetics is being interdependent between the visible and the invisible in the artistic works whose solid philosophic foundation is Taoist school and The Book of Changes which not only excert a tremendous influence on the direction of literature writing,but also afford foundation and inspiration to the aesthetic reading. Examining the course of reading which is from image to Taoism,from the visible to the invisible from philosophic angle,it is the course which is from immediate exist in daily-life to ultimate concern in the action of aesthetics.Exactly,self-concerning of life is the essence of the reading.
出处
《新疆教育学院学报》
2004年第3期60-63,共4页
Journal of Xinjiang Education Institute
关键词
阅读
美学原则
文学创作
虚实相生意境
being interdependent between the visible and the invisible
ultimate concern
existing-in-itself
doing-in-itself