马致远的《天净沙·秋思》发微

Small Discoveries About Ma Ziyan's "Yu Tone. Tian Jin - Sa·Missing in Autumn

从元及清以迄当代,赏鉴评析者多认为马致远《天净沙·秋思》为思乡之作,经全瞻发微,作出新的读解:不是思故乡之作;“枯藤老树昏鸦”不是“哀景”;“鼎足对”说法欠当;画面应是两幅——一二句:山区源,秋夕照图;三四五句:日暮而途未穷的孤独飘泊图;结句应读为:“断肠/人在/天涯。”

From the Yan to the Qing Dynasty,then to modern times,Some people often think Ma Ziyan's works'Yu Tone. Tian Jin - Sha Missing in Autumn'as a homesick one. But after thinking it over arefully, I have some new discoveries. I think that it isn't what is said like that,because the sentence'KuTeng、Laosh、Hunya' doesn't mean'Bad scenes'and the saying of 'Ding zhudui 'is not proper. In fact, there should be two scenes one coneins the meaning of the fivst two sentences, Hea other does the last three ones. The final should be read as 'Duanchang Renzai、Tian ya'.