新史学与中国美术考古学学科品质的形成——以梁启超、王国维为中心的考察

New History and the Discipline of Chinese Artistic Archeology Taking forms——Observation Focusing on Liang QiChao and Wang GuoWei

美术考古学研究不是对作品美学价值的评判,而是致力于所有人造物品形态背后观念意义的探究。作为一门广义上的历史学科,中国美术考古学是传统古物学在西方新史学东渐的大背景下不断整合、改造而成的。从梁启超、王国维学术活动的考察中,我们可以看出西方新史学思想对中国美术考古学学科品质的塑造及其影响。

The research of artistic archeology is not to judge the aesthetical values of the works, but to probe into the potential significances of all artificial works. As a historical discipline in a broad sense, Chinese artistic archeology has taken forms under the conditions of Chinese traditional researches of antiquities combining with the western new history. By investigating the academic practice of Liang QiChao and Wang GuoWei, we can see that the influences of the ideas of the western new history on the Chinese artistic archeology.