摘要
自宋以来,逸品一直被绘画评论家当做评画的最高标准。而以逸品论画在唐代已出现,但几百年间地位不高。探究其原因,可以从三个方面去分析:1、逸品的内涵及绘画语言方面;2、绘画的标准方面;3、社会的审美意识方面。
The easy quality of paintings has been regarded by critics as the highest standard in appraising paintings since Song Dynasty. However, making comments upon paintings in terms of easy quality had emerged in Tang Dynasty and had lower status. In order to get to the bottom of the question, we can analyze from three respects: first, the intension of easy quality and painting language; second, the standards of paintings; aesthetical consciousness of the society.
出处
《南京艺术学院学报(美术与设计)》
2004年第4期159-160,共2页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
逸品
地位
内涵
绘画标准
审美意识
easy quality, status, intension, the standards of paintings, aesthetical consciousness