论隶书的变形与夸张

On the Deformation and Exaggeration of Li Script

书法艺术发展的原动力就是变形与夸张。隶书上承篆书遗脉,下开楷书之源,更能体现中国书法的变形与夸张。它使中国的象形文字彻底从象形化走向抽象化、符号化。文章分别从古隶和汉隶的用笔、结体、章法等方面阐述隶书的变形与夸张。

Deformation and exaggeration are the motivities of the art of calligraphy development, Li script inherits form seal character and it is the fountainhead of regular script. Li script can embody the deformation and exaggeration of Chinese calligraphy better than any other script. It makes Chinese pictograph completely evolve from image to abstractness and symbolization. The essay expounds the deformation and exaggeration of Li script respectively before and after Han dynasty in the aspects of the use of strokes、structure、presentation、etc.