摘要
自南宋始,关于唐诗、宋诗孰优孰劣的问题就一直争执不休,论者各执一端。近代,陈衍提出“诗不分唐宋”的观点,不仅从表面的继承关系,也从内在风格上将唐宋诗笼为一路,因而从学理上为唐宋诗之争作了一个总结,实现了对前人诗学的扬弃和超越。
Since the Southern Song Dynasty, the dispute arose about the accomplishments of Tang-shi and Song-shi. There was no consensus reached. CHEN Yan, a scholar at the end of the Qing Dynasty, putforward the view that “there is no boundary between Tang and Song poems'in terms of theirexternal relation of inheritance as well as their internal style. His view combined Tang-shi and Song-shi into an organic whole. Therefore, Chen Yan made a conclusion of the dispute from new perspectivesbeyond his predecessors.
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2004年第3期99-102,共4页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
诗不分唐宋
三元说
尊宋
超越
no boundary between Tang and Song poems
views of San-yuan
worship of Song
transcendence