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王朔的“二丑艺术”

Wang Suo's "Two Uglies Art"
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摘要 凭借"二丑艺术"写爆一把、评爆一把的王朔曾一度让文坛为之瞩目,然而创作上渐趋模式化及其第一本评论集《无知者无畏》所引发的轰动效应尘埃落定之后,他所面对的将是文化战场上持久的尴尬和冷落。 Wang Suo was once popular and eye-catching in the literatus by right of his 'two uglies art'. However, when his incitement gradually went into one model, and when the stir of his first comment corpus 'Knowing-nothing is fearless' calmed down, what he had to face is perduring embarrassment and snub in the literatus.
作者 章风云
出处 《重庆邮电学院学报(社会科学版)》 2004年第6期118-120,共3页 Journal of Chongqing University of Posts and Telecommunications
关键词 二丑艺术 反叛 模式化 'two uglies art', rebellion, modeling
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