摘要
凭借"二丑艺术"写爆一把、评爆一把的王朔曾一度让文坛为之瞩目,然而创作上渐趋模式化及其第一本评论集《无知者无畏》所引发的轰动效应尘埃落定之后,他所面对的将是文化战场上持久的尴尬和冷落。
Wang Suo was once popular and eye-catching in the literatus by right of his 'two uglies art'. However, when his incitement gradually went into one model, and when the stir of his first comment corpus 'Knowing-nothing is fearless' calmed down, what he had to face is perduring embarrassment and snub in the literatus.
出处
《重庆邮电学院学报(社会科学版)》
2004年第6期118-120,共3页
Journal of Chongqing University of Posts and Telecommunications
关键词
二丑艺术
反叛
模式化
'two uglies art', rebellion, modeling