摘要
钢琴演奏训练的过程,从心理学上说,就是一个不断由意识向无意识转化的过程。在初始阶段,它必须有意识加以控制,但随着技能的不断熟练和动力定型的日渐完成,意识的内容便在潜移默化或积极探索中逐渐转化为无意识。这时候,演奏中许多复杂的技巧都是在无意识状态下自动完成。我们通常所说的“直觉”、“灵感”等艺术创造的高峰状态,实质上就是这种转化的产物。
Pianism training is psychologically a process constantly changing from consciousness to unconsciousness. In thebeginning, pianism training should be controlled consciously but with the gradual skills improvement and approved dynamics,the contents of consciousness gradually turn to unconsciousness in its unobtrusive influences and explorations. So manycomplicated skills in pianism are obtained unconsciously. Many summits of artistic creation such as so-called “intuition”and “inspiration” are actually products of such changing.
出处
《南京艺术学院学报(音乐与表演版)》
2004年第4期76-78,共3页
Journal of Nanjing Arts Institute:Music & Performance
关键词
钢琴
演奏
训练
转化
意识
无意识
piano
performance
training
changing
consciousness
unconsciousness