“五四”新文学的寓言形态

On the parable form of the “May 4th” literature

从文学形态研究“五四”新文学,他剖文学、自剖文学与民族自剖文学分别从内倾、外向和寓言的角度构建了“五四”主流文学的形态群落。民族自剖文学作为寓言形态在于作家以其民族代言人的身份来对“自我”进行无情的解剖,以期革除弊端,求得新生。民族现代性的焦虑是这类文学的情感焦点。《狂人日记》、《阿Q正传》和《凤凰涅》分别从政治、文化的批判向度及构建民族复兴的寓言方面形成了民族自剖文学的独特存在。与这种寓言特征相联系的还存在主题先在或主题的预设,叙事人与民族群体同构关系等特征。

The self critical and self expressional literature, the social-critical and the national self critical literature of the “May 4th” make up the major literature patterns. The national literature, as the form of the parable, is a ruthless expose and critical by the writer to they own nation. The national self critical literature, as a literature form, is not as various at styles as it’s pal, the self critical and self expressional literature and the social critical literature, so the national self critical literature is not a lot of the works and the narrators is equal to the nation.