摘要
讨论了杜甫七律首尾联中似对非对的对仗现象。认为 :之所以有这些特殊现象出现 ,一方面是因为受对称平衡传统文化习惯心理的影响 ,诗人不得不对仗 ;另一方面也是因为诗人想摆脱过于讲究对偶平衡的诗赋传统 ,寻找一种既可灵动地表达诗意又不丢弃诗歌形式之美的对仗方式。
This article discusses the study of the dubious antithesis in the initial and final couplets in eight-line poems with seven characters by DuFu, a remarkable poet in Tang Dynasty. We think that the appearance of this particular antithesis shows that on one hand, the poet was influenced by the traditionally cultural conventions of psychological effect while writing in symmetrically parallel pattern, on the other hand, the poet intended to free himself of the particular overtones of the traditional antithetical parallelism of poetry and prose. The poet intended to seek the approach of not only expressing the sense of the poems flexibly but retaining the poetic antithesis.
出处
《华南农业大学学报(社会科学版)》
2004年第4期88-95,共8页
Journal of South China Agricultural University(Social Science Edition)
关键词
杜甫
七律
特殊对仗
大而能化
工而能变
Eight-line poems with seven characters by Du Fu
particular antithesis
grandness enabling perfection
regular scheme enabling change