摘要
作为王夫之情景诗学的重要环节 ,情景生成理论包括情景生成范式和情景审美发生机制两个理论界面。“景生情”、“情生景”和“情景妙和无垠”是情景生成的三种基本范式。对情景审美发生机制的揭示 ,船山引佛教语“现量”———刹那直观以还原性描述。船山情景生成理论具备了完备的诗学架构 ,在清初文坛独树高标。
As a key of Wang fuzhi’s poetics, Feeling-Situation generation theory includes two theoretical layers, the feeling-situation paradigms and the feeling-situ ation occurrence mechanism. “Feeling from situation”, “situation from feelin g” and “feeling-situation blending ingeniously” are the three basic Feeling -Situation generation paradigms. when revealing the feeling-situation aestheti c occurrence mechanism, Chuanshan cites the Buddhism term Xianliang——instant i ntuition to describe the originality. In sum, Chuanshan Feeling-Situation gene ration theory possesses distinctive and perfect structure which made a unique c ontribution to literature in early Qing Dynasty.
出处
《江南大学学报(人文社会科学版)》
2004年第5期77-80,103,共5页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
王夫之
情景诗学
生成理论
情景生成范式
审美发生机制
Wang fuzhi
Feeling-Situation poetics
generation th eory
aesthetic occurrence mechanism