摘要
宗璞的创作中一直带有强烈的身份意识。中国知识分子的社会身份及身份意识的变化在她的作品中得到了清晰的体现,她的叙述姿态也经历了从单纯热情的倾诉者、时代的追潮者,到历史的思考———批判者,知识分子的自审者的变化。文革结束后,个体从经验中沉淀出来的性别体验在作品中渐渐显现出来,性别上的女性身份成为她创作中文化身份的另一特质。
Zongpu has strong identity consciousness all the time in her works. The changes of the Chinese intellectual's social identity and identity consciousness have got clear embodiment in her works. Her narration posture has been gone through the change from the simple and hospitable pouring out , person who chasing tide of the times, the person who gets thinking-criticism of history, the intellectual's persons who examine by oneself. After the Cultural Revolution, the sex that the individual precipitates out from experience is experienced and shown gradually in the works, women identity becomes her another special identity.
出处
《德州学院学报》
2004年第5期46-50,共5页
Journal of Dezhou University