“意在笔前”与“忘机兴发”——唐代书学之创作心理论

Purpose in Front of Writing" and "Forgetting Technique Quickly" ——On the Creation Psychology of Dynasty Tang Calligraphic Theory

书法是中国独特的艺术门类,已经有两千多年的历史了。其间书法大家辈出,书法作品美妙美伦,它们是中国艺术的骄傲,也是世界艺术宝库的一大组成部分。中国书学博大精深,富有民族特色,深入研究书学对建设有中国特色的艺术理论有重大意义。本文从创作心理的角度,总结了唐代书学“意在笔前”和“忘机兴发”两种创作心理,分析了唐代书学情感表现与笔法的关系,从而探讨了书法作为艺术,情感表现与笔法的深层结构,对在艺术理论的语境中进一步研究书法做了尝试。

Calligraphy China's unique art class, have a history of more than 2,000 years already. Everybody comes forth in large number in calligraphy among them, the calligraphy works are beautiful beyond compare, they are the pride of China's art, and they are a great part of art of the world too . Chinese calligraphic theory is of extensive and profound, and it is studied ,rich in the national characters. This article analyzes the relation of emotional indication and writing technique, and summarizes purpose in front of writing' and' forgetting technique quickly' two kinds of creation psychology. Thus probes into the calligraphy as art, the emotion indication with the deep structure relation of the technique of writing. Further investigates the Chinese book and learn that there are great meanings in building and construct the theory of arts of the national characters.