摘要
杰克·伦敦小说中的肖像描写具有鲜明的元主体性哲学倾向,现代工业文明对自然人的精神与肉体上的双重削弱与损害使信仰超人哲学的创作主体产生了强烈的元主体性焦虑,从而催生了重新塑造凸现元主体性超人理想的尝试。然而作者又不无困惑,这种困惑体现在超人的命运悲剧之中。
Jack London's aesthetics on the subject of physique originated from Nietzsche's theory of superman,and he held that the ideal being worshipped by both Nietzsche and the ancient Greek was a permanent target for the whole being to reach by efforts. But by the tragic fate of the superman London displayed his puzzle and disillusion on the possibility in pursuing subjectivity of human being.
出处
《韶关学院学报》
2003年第10期31-36,共6页
Journal of Shaoguan University