摘要
王鉴为明末清初的四王之一,一生致力于宋元诸家的临仿创承。由于王鉴的家世及他在明末清初的特殊环境中所处的位置,以及其处于董其昌和王原祁、王之间的特殊地位,绘画的价值取向对四王风格的整体构成,占有十分重要的地位。
As one of the most excellent drawers,WANG Jian devoted himself into copying from the paint-ings of the masters in Song-Yuan period and innovating his ar t style.Account of the time he lived and his family,he made an important i nfl ection on the art styles of Four WANG' s.
出处
《东南文化》
2003年第1期43-47,共5页
Southeast Culture
关键词
王鉴
绘画思想
WANG Jian painting thought
