摘要
创造新的表达形式是赫佐格与德默隆所追求的。基于极少主义及整个瑞士的建筑风格,从建筑现象学理论出发,通过分析其典型作品解读赫佐格与德默隆的建筑创作方法。他们的创作超越了物质本身而产生深远的意义。
Jacques Herzog && Pierre de Meuron pursue of a new expresses form of design, the paper try to read their artistic method of design through analy zing the typical buildings, switzerland architectural style and the minimalism i n architecture phenomenology. Their articles overstepped the material itself but profound the meaning in creation.
出处
《中外建筑》
2004年第4期12-16,共5页
Chinese & Overseas Architecture
