摘要
在20世纪90年代的大众文化语境中,诗人、诗歌发生了显著的转化。诗人们更彻底地离开了种种形式上的流派,完全以个人的身份写诗。诗歌的立场、诗歌的精神、诗歌的语言策略都呈现出复杂的特点。“民间”、“消解”、“叙事性”暂时在诗歌中凸显。
Poets and modern poetry transformed noteworthy in popular culture抯 context in 1990s. Poets departed from all kinds of groups and wrote poems completely by their own identities. The position of poetry, the spirit of poetry and the language tactic of poetry, all took on complex traits, such as folk, deconstruction, narratirity.
出处
《天中学刊》
2004年第6期70-72,共3页
Journal of Tianzhong
