表皮作为方法——从四维分解到四维连续

现代主义运动以来建筑表皮在获得了独立的意义的同时失去了自足的完形特征。但也正因如此,表皮可以作为形成建筑体块和建筑空间组合形态的方法而存在。本文从表皮作为方法的角度探讨20世纪初以风格派和密斯·凡·德·罗等建筑师为代表的四维分解法和从20世纪后期至今以雷姆·库哈斯等当代建筑师为代表的四维连续法。分析了这两种方法的建筑表皮意义、所创造的空间的特征,以及两种方法的区别和联系。

Modernism made building surface independentwhile it did not justify itself any longer, so building surfacecan be deemed to methods to form mass or space ofarchitecture. From this point of surface as methord, thisarticle studies the method of 4-dimention decompoundsused by De Style and Mies van der Rohe in early 20 centuryand the methord of 4-dimention continuum used by RemKoolhaas and others from late 20 century. This articleanalyses two method's meaning of building surface, space'scharacter they formed, and compares each other.