摘要
随着自由低音手风琴的不断普及,巴赫键盘音乐受到愈来愈普遍的重视,并成为手风琴演奏者的必修课程,但由于自由低音手风琴传入我国时间较短,巴赫键盘音乐又是我们以前不曾接触过的,因此在演奏中还存在诸多问题。本文通过对触键法、延留音与连线音、装饰音及风箱运用等演奏技法的研究,探讨了手风琴演奏巴赫键盘音乐应注意的问题。
With the popularization of the free-style bass accordions in China, greater importance is attached to the Bach-style keyboard music, which is now a compulsory course to accordion players. However, due to the short history of bass accordions in the country and the scarce knowledge of the Bach-style keyboard music, many problems arise in the performance of the Bach-style keyboard music on the accordions. This thesis probes into these problems in terms of such skills of accordion playing as in keyboard striking, suspensions, slurs, ornaments, and bellows.
出处
《浙江师范大学学报(社会科学版)》
2004年第4期111-115,共5页
Journal of Zhejiang Normal University(Social Sciences)