手风琴演奏巴赫键盘音乐的问题研究

On Performance of Bach-style Keyboard Music on Accordions

随着自由低音手风琴的不断普及,巴赫键盘音乐受到愈来愈普遍的重视,并成为手风琴演奏者的必修课程,但由于自由低音手风琴传入我国时间较短,巴赫键盘音乐又是我们以前不曾接触过的,因此在演奏中还存在诸多问题。本文通过对触键法、延留音与连线音、装饰音及风箱运用等演奏技法的研究,探讨了手风琴演奏巴赫键盘音乐应注意的问题。

With the popularization of the free-style bass accordions in China, greater importance is attached to the Bach-style keyboard music, which is now a compulsory course to accordion players. However, due to the short history of bass accordions in the country and the scarce knowledge of the Bach-style keyboard music, many problems arise in the performance of the Bach-style keyboard music on the accordions. This thesis probes into these problems in terms of such skills of accordion playing as in keyboard striking, suspensions, slurs, ornaments, and bellows.