摘要
汉末作家选择"笼中鸟"、寡妇、恩妇等作为情感载体,体现了他们以悲剧心态体悟社会、关注自我,以苦闷与孤寂 的情感基调宣泄胸中不满与痛苦的审美追求。同时,这也意味着汉末作家的主体自觉意识最终走向成熟。
In the late Han Dynasty, there are three emotional carriers of writers. They are 'birds in cage ', widows and women who longer for their husbands. It has embodied writers' aesthetic standards: experienced and observed their society, paid close attention to themselves, and vented their dissatisfaction in pessimistic minds. And which mainly means the forming period of subject consciousness.
出处
《延安大学学报(社会科学版)》
2004年第5期94-99,共6页
Journal of Yan'an University (Social Sciences Edition)
关键词
汉末作家
情感载体
主体自觉
the writers of the late Han Dynasty
emotional carrier
subject consciousness