摘要
穷尽考察宋代四川诗人用韵 ,系联韵字统、计押韵组合 ,得到宋代四川诗人用韵 17部系统。与宋代通语 18部韵系比较 ,四川诗韵合并了真文、庚青两部成为真青部 ,此外与通语韵系相同 ,通语韵系的主要音变也在四川诗人用韵中存在 ,因而四川诗人用韵系统是通语的西部变体。
The authors make a thorough research of the rhythmic style of Sichuan poets in the Song Dynasty and point out that they use the rhythmic system with 17 subsystems. Compared with the rhythmic system with 18 subsystems in the Song Dynasty, the rhythmic system of Sichuan poets combines the 2 subsystems, i.e. the Zhenwen and Gengqing subsystem, and shares such features as Tongyu rhythmic pattern and main Tongyu variations. In conclusion, the rhythmic style of Sichuan poets is in fact the expression of Tongyu variations in west China.
出处
《四川大学学报(哲学社会科学版)》
CSSCI
北大核心
2004年第6期79-88,共10页
Journal of Sichuan University:Philosophy and Social Science Edition
基金
国家社科基金课题"宋代四川方音研究" (0 2BYY0 2 2 )
关键词
宋代
四川诗人
押韵
韵部系统
通语韵系
西部通音变
the Song Dynasty
Sichuan poets
rhyme
rhythmic system
Tongyu rhythmic pattern
Tongyu variations in west China