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亨利·浦塞尔戏剧音乐中的赋格原则 被引量:1

The Fugue Principle in Henry Purcell's Drama Music
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摘要 亨利·浦塞尔是 17世纪最杰出的英国作曲家 ,也是一个处于历史上两个复调音乐发展高峰之间的重要人物。他对复调音乐的创新性贡献 ,尤其是对第二个复调音乐高峰所产生的直接影响是不容忽视的。本文所要研究的是赋格原则在浦塞尔戏剧音乐中的运用 ,通过对浦塞尔几部有代表性戏剧音乐中赋格原则运用的具体分析 。 Henry Purcell was a most outstanding Briton composer in 17th century, and also a key man exist period between two stages of counterpoint music high development during history. That his creative contribution to the counterpoint music, especially directly influence to the second high development of counterpoint music shall not be ignored. The article focused on the fugue principle used in Purcell's drama music. Through analyzing the usage of fugue principle in several of his typical drama music, it showed us the closed relationship between the usage of fugue principle and the represented content of drama music, the important role and value of the fugue principle in the Purcell's drama music representation.
作者 谢泽慧
机构地区 星海音乐学院
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2004年第4期23-29,共7页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 亨利·浦塞尔 戏剧音乐 赋格原则 康佐涅 Henry Purcell (1659~1695), drama music, fugue principle, canzone
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参考文献2

  • 1The New Grove Dictionary of Music and Musicians Vol 14. [Z]. edited by Stanley Sadie, London: Macmillan Publishers, 1980.
  • 2Herry Percell the Origins and Development His Music Style[M]. edited by Martin Adams, London:Cambridge University Press,1995

同被引文献2

  • 1[德]格奥尔格·克内普勒;王昭仁译,葛斯,姚锦新校订.19世纪音乐[M].北京:人民音乐出版社,2002.
  • 2贾棣然;王洪敏译配.珀塞尔歌曲40首[M].合肥:安徽文艺出版社,2010.

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