摘要
亨利·浦塞尔是 17世纪最杰出的英国作曲家 ,也是一个处于历史上两个复调音乐发展高峰之间的重要人物。他对复调音乐的创新性贡献 ,尤其是对第二个复调音乐高峰所产生的直接影响是不容忽视的。本文所要研究的是赋格原则在浦塞尔戏剧音乐中的运用 ,通过对浦塞尔几部有代表性戏剧音乐中赋格原则运用的具体分析 。
Henry Purcell was a most outstanding Briton composer in 17th century, and also a key man exist period between two stages of counterpoint music high development during history. That his creative contribution to the counterpoint music, especially directly influence to the second high development of counterpoint music shall not be ignored. The article focused on the fugue principle used in Purcell's drama music. Through analyzing the usage of fugue principle in several of his typical drama music, it showed us the closed relationship between the usage of fugue principle and the represented content of drama music, the important role and value of the fugue principle in the Purcell's drama music representation.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第4期23-29,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
亨利·浦塞尔
戏剧音乐
赋格原则
康佐涅
Henry Purcell (1659~1695), drama music, fugue principle, canzone