摘要
文章就旋律线、调式、男女与行当分腔、腔式、结构、伴奏过门等六个方面 ,分别剖析了西皮二黄腔的形态特征。尤其是西皮的男女与行当分腔 ,二黄女腔上下句特殊的调性变化 ,西皮的一泄式与二黄腔四截式两种不同的板式变化体结构 。
The article discussed the conformation feature of xipi erhuang tune from six aspects: melody line, modes, male-female with respective tunes, tune mode, structure, and short accompanied interlude. The writer especially introduced the male-female with respective tunes of pihuang tune, peculiar tonal variations for the first and second sentences of erhuang female tune, the different accent-structures of yixie (flow down) mode in xipi and sijie (four parts) mode in erhuang, and their interlude composition law.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第4期45-53,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
皮黄腔
腔式
分腔
一泄式
四截式
pihuang tune, tune mode, respective tunes, mode of yixie (flow down), mode of sijie (four parts)