从《三教同声》看明代宗教音乐的存在情况

To Explore the Sacred Music Existed In Ming Dynasty From the Guqin Music Collection San Jiao Tong Sheng

《三教同声》是明代文人张德新辑录的儒、道、佛等”三教”音乐作品的古琴曲集。这些作品的刊刻 ,是明代中后期社会思潮和世风的必然 ,《三教同声》与当时”三教一理”的思潮是一致的 。

The San Jiao Tong Sheng was a guqin (Chinese sitar) music collection, which collected the guqin music pieces from three religions of Confucianism, Taoism, and Buddhism, compiled by Zhang Dexin in Ming dynasty. To block-printed those pieces were the inevitable outcome of ethos and public morals in the later Ming dynasty. The San Jiao Tong Sheng was coherent to the thoughts of that three religions: Confucianism, Taoism, and Buddhism share the same reason, and also accord with the exist situation of sacred music in Ming dynasty.