摘要
M·L·邦巴尔是超现实主义文学早期的代表作家,其创作大量使用象征、意识流、时空跳跃等艺术手法来表现人的梦幻、欲望、想象和潜意识,同时力图打破现实和梦境的界限。本文试图通过她的两部作品《最后的雾》、《穿裹尸衣的女人》,沿着邦巴尔非线性、非整体性的叙事,走进她文本中的梦幻与死亡世界,从而在接近她作为女性个体独特生命体验的同时去思考其叙事的普遍性价值。
M. L. Bombal , a writer of super-realism in early age. She likes to use symbolizing, stream of consciousness, jumping and skipping of time to show the human beings' dream, desire, and sub-idea. The most noticeable characteristic of her writing is to break the bound of reality and dream. This article tries to analyze her two works The Last Fog, Woman Wrapped in Corpse Clothes in nonlinear style, to be close with the world of illusion and death which was created by her.Thereby, to think about the common value as well as to make a better understanding of her life experience as a female individual.
出处
《青海师范大学学报(哲学社会科学版)》
2004年第6期87-90,共4页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
生命体验
叙事
梦幻
死亡
模式
life experience
narration
dream
death
pattern