摘要
《诗经·卫风·氓》叙述了女主人公"我"追求自由恋爱自主婚姻终遭遗弃的悲剧故事。作者的主观目的在于"情鉴",客观上塑造了痴情女子"我"的动人形象,并且构建了始乱终弃的悲剧模式。唐传奇名篇《莺莺传》和《霍小玉传》创造性地继承了这一悲剧模式,并加入了丰富的时代色彩,成功地塑造了崔莺莺、霍小玉两位女性形象。《氓》可以说是中国古代文学创作传统题材"始乱终弃"的悲剧模式的先声。
The Book of Songs, Folk Songs of Wei and The Common People narrates a tragic story about a young girl deserted by her lover. The author's subjective purpose lies in the lesson of love, objectively creating a vivid image of a passionate character 'I', and constructing a Model of tragedy by which the story begins with an intercourse and ends with the girl being deserted. The famous legendary stories of both The Biography of Yingying and The Biography of Huo Xiaoyu creatively carried forward this model of tragedy, adding rich colors of the day and successfully molded the images of Cui Yingging and Huo Xiaoyu. The Common People can be said to be the first sign of the model of tragedy in the literary creation of ancient china.
出处
《辽宁师范大学学报(社会科学版)》
2004年第6期101-103,共3页
Journal of Liaoning Normal University(Social Science Edition)
关键词
《氓》
情鉴
悲剧模式
《莺莺传》
《霍小玉传》
The common People
lesson of love
model of tragedy
The Biography of Yingying
The Biography of Huo xiaoyu